The ill-fated “Mystery Moon” (1930), for example, tied the record for the decade’s shortest running musical, when it closed after a single performance.Ĭhicago in particular appeared to be “the happy hunting ground of the thrillers,” as noted by Sheppard Butler, a drama critic for the Chicago Daily Tribune. Obviously, there was no guarantee of success, however, and several flopped. A number of these mystery plays were hits, often adapted from novels and short stories and later made into films. I’d heard of “ Chicago” (1926) of course, that wildly successfully play penned by newswoman Maureen Dallas Watkins, which later became a much touted musical and film. When I was conducting research for my Speakeasy Murder mysteries, I was surprised to learn that at least forty or fifty mystery plays had been created and performed throughout the decade, most notably on the stages of New York, Chicago, and London.
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